Ghosts, holograms, and the quest for immersion
Not all videos are destined to be broadcast on TV, or even viewed on a computer screen. While building...
Long Term Test: Dell Precision M3800 laptop
If you maintain a well trafficked blog for any period of time (it’s hard to believe The Editblog will...
A dozen new photos of Earth, everyday
Launched today by NASA, the new website with images of the planet Earth shows photographs captured by the Earth...
MAXON and Cinema 4D are coming to a town near you
We’ve detailed how well Cinema 4D (C4D) and After Effects work together, but at events like NAB and SIGGRAPH...
Canon and Nikon: fifth anniversary of Full Stop guides
The whole collection of guides from Full Stop comprises 24 eBooks, penned the last five years, all available in...
Exploring Workflow, Storage & Archive in M&E: Different scales, same tools
At IBC, one of the things that caught my eye was around how prevalent things like “workflow” and “ecosystem”...
V-Log L on the GH4: don’t panic
I shot V-Log L on the GH4 and graded it back to match Cinelike D, comparing internal and external...
Sony RX1R II: in pursuit of the ideal viewfinder
While we’ve all grown used to pop-up flashes, not many are aware of pop-up viewfinders. It’s a trend Sony...
iMovie adds 4K UHD & the often hazardous ±60 fps distribution
A few weeks after adding 4K UHD to iMovie for iOS 9 (and Adobe’s adding it to its Premiere...
Media Composer 101 – Advanced – Multi-Channel Audio Exports
In this lesson, Kevin P McAuliffe talks about Multi-channel audio exports from Media Composer, and how DNxHD doesn’t always...
