Details around the new monthly, quarterly and annual subscription options from Autodesk
Subscription models have changed the way users across the industry expect to access and utilize their software. Not too...
Final Cut Pro X to Logic Pro X
Many video editors turn to an audio professional to mix and sweeten their audio after picture lock. Or they...
Things you didn’t know about color matching lenses
Lens color hasn’t been on my radar until recently. I didn’t know how much I didn’t know until I...
After Effects Hidden Gems Weekly: Automatic Fades
As we’ve said many times, After Effects is not an NLE – but often, it’s easier to keep everything...
A digest of last week’s photo and video news – Week 45
A digest of last week news is a selection of some of the news from week 44 related to...
Defining and customizing your production-to-post workflow with Catalyst Prepare and Catalyst Edit
The way in which technology has and continues to change how film and TV professionals work is a topic...
LumoPro flash with Phottix Odin receiver
The new Lumopro LP180R is, in fact, mostly the old LP180 from 2013, a manual flash with a single...
Long Term Test continues: Dell Precision M3800 – software, OS (and Thunderbolt)
On the last installment of this Long Term Test of the Dell Precision M3800 we looked mainly at the...
Glitches, damage, flickers, & distortions in After Effects & Premiere Pro
Glitchify for After Effects + Glitchify sounds, from Mikey Borup and Cinema Spice, joins a growing number of tools...
Art of the Cut with Joe Walker on “Sicario”
This is a deep-dive of “Art of the Cut” editing wisdom from Joe Walker. I first spoke to Joe...
