B-Roll explained to photographers – Part II
Some will argue that B-Roll is fundamentally a storytelling technique that helps to create continuity, and that the additional...
Microsoft Surface Book: is it really twice as fast?
Microsoft has released their Surface Book laptop, dubbed the “MacBook Pro Killer” by some in the press.
REVIEW – Titler Pro 4 for AVX from NewBlueFX
If you’re a Media Composer editor, and you haven’t checked out Titler Pro 4, you’re missing out on one...
Review: RØDE Reporter dynamic interview microphone
Omnidirectional dynamic microphones with balanced XLR connections remain the first choice for most ENG (electronic news gathering) organizations to connect...
After Effects Hidden Gems Weekly: Basic Behaviors
When Apple first released Motion, it introduced a new animation paradigm: instead of having to keyframe the start and...
Exploring Workflow, Storage & Archive in M&E: IT and production perspectives
Analytical vs creativity, from Shutterstock It should come as a surprise to no one that an editor thinks about...
Hands-on interaction with Teradek, Paralinx, and SmallHD wireless monitoring products
Production professionals in and around the Los Angeles area are going to have a much easier time figuring out...
A digest of last week’s photo and video news – Week 44
Sony buying Toshiba’s sensors, a new Olympus 300mm Pro lens for Micro Four Thirds and the FilmConvert Color Up...
Media Composer 101 – Lesson 13 – Import Settings Part 2 – Graphic Imports
In this lesson, Kevin P McAuliffe continues his look at importing in Avid Media Composer, and gets specific about...
Art of the Cut: The Martian with Cheryl Potter
A follow-up to my interview with 2-time Oscar winning editor, Pietro Scalia and “The Martian.” To dive deeper into workflows, project...
