Skimming tricks in Final Cut Pro X
This week on MacBreak Studio, I show Ripple Training’s Steve Martin how you can use clip skimming to quickly...
ZEISS Otus 1.4/28: an artistic tool
With the new ZEISS Otus 1.4/28, users of shorter focal lengths can now also take advantage of the uncompromising...
Product Review: SwiftCam M3S Smartphone Handheld Stabilizer
DSLRPros has upped their game with a brand new brushless handheld smartphone stabilizer, the SwiftCam M3S. I’ve had a...
After Effects Hidden Gems Weekly: Fading Multiple Layers
The strength of After Effects is its ability to composite together a stack of layers to create a compelling...
Canon PowerShot G5 X and G9 X: shooting for the stars
Canon is building a family of large sensor cameras – 1 inch – with the 5 PowerShot G-series cameras...
Art of the Cut with Pietro Scalia on The Martian
In this installment of Art of the Cut, we talk to multi-Oscar-winning editor, Pietra Scalia about The Martian, his...
Lens Effects: UV Haze, ND and Polarizer
Call it Dehaze, UV Haze or NeutralHazer and you’ll be talking about the same: a filter that allows, in...
Shure briefly responds to 4 pending questions
Back in May 2015, I published the article Initial review: ShurePlus MOTIV Mobile Recording app for iOS. Later, I applauded...
Topaz ReMask 5: an easy way to mask hair
Using masks in images with hair, feathers or fur is always a cumbersome process. Topaz ReMask 5 does help...
After Effects Hidden Gems Weekly: Pixel Motion Blur
When you shoot a fast-moving object with a longer shutter time (half of the frame’s duration is the typical...
