Serving the Technical and Creative Needs of Production and Post Professionals with the Avid NEXIS | PRO
The ways in which technology has changed and impacted professionals in media & entertainment are as apparent as they...
Let’s Edit with Media Composer – Sorenson Squeeze Integration
In this lesson, Kevin P McAuliffe answers a great viewer question about Sorenson Squeeze, and how it can interact...
ART OF THE SHOT: The DP of “The Fosters” Kees Van Oostrum, ASC
He is the current President of the American Society of Cinematographers and at times he shoots on the Blackmagic...
ART OF THE CUT with Oscar Nominated “Moonlight” editor Joi McMillon
Today Art of the Cut speaks with Joi McMillon who was recently nominated for an Oscar for Best Editing...
Windows ProRes: First Impression
I’ve missed ProRes. I’m used to jumping between Mac and Windows, and I often say that once I’m in...
Modular and Reusable Diffusions
When I spec out a lighting and grip package, I generally request a number of 4×4 and 2×3 gel...
Photogrammetry and Visual Effects
Photogrammetry and Visual Effects
TLCI vs. CRI, CQS, etc.: How do they stack up?
How does TLCI stack up against the other measures of color accuracy? I’ve argued that its testing methodologies might...
The Editblog’s 2017 NLE Buyer’s Guide
It’s a new year and 2017 is a year unlike any other in terms of the technology we have...
Vimeo Pro portfolios: How to overcome 2 major deficiencies
Previously, I covered Vimeo Pro’s portfolios, and how to use your own domain or subdomain (i.e. videos.MyDomain.com) on Vimeo’s...
