Adobe announces updates to the Creative Cloud video apps ahead of IBC, Premiere Pro included
With IBC just around the corner that must mean it’s time for another update to the Adobe Creative Cloud...
Art Of The Shot: “Menashe” Cinematographer Yoni Brook
In this version of Art of the Shot, I had the opportunity to talk to “Menashe” cinematographer Yoni Brook....
Review: Digital Anarchy Transcriptive – automated transcription for Adobe Premiere Pro
Every now and then a little tool comes along that just might transform your editing and post-production workflow. I’m...
Sony VENICE – Something Rather Remarkable
The new $42,000, full-frame Sony VENICE debuted on the Sony Pictures lot at the beginning of September and it...
ART OF THE CUT with Oscar Winner Alan Heim, ACE
Alan Heim is the former President of American Cinema Editors and is the current President of the Motion Picture...
Charlie Parish: three years filming HBO’s The Defiant Ones
Charlie Parish put a camera on his shoulder, either a Canon Cinema EOS C300 or C500, and took off...
Is your HD camera “shy” in 1080p mode?
Is your HD camera “shy” in 1080p mode? When you want to use your HD camera in a studio...
Creating a Tilt-Shift Effect in Final Cut Pro X
This week on MacBreak Studio, Steve Martin from Ripple Training shows us how to create a tilt-shift effect on...
ON1 Photo RAW: new features coming soon
Launched one year ago, the ON1 Photo RAW Project has helped ON1 to develop its photo editor based on...
Sony Unveils VENICE, its Full-Frame Flagship Cinema Camera
This is a Sony first; releasing a camera with a name, VENICE. It’s a Full-Frame digital motion picture camera...
