ART OF THE CUT with the assistant editors and VFX editors of Kingsman: The Golden Circle
Occasionally, Art of the Cut features the assistant editors and others in the post-production team. These are some of...
Why Contracts are Necessary for Video Production Companies
I’m a fan of People’s Court with Judge Marilyn Milian, and she often says that when you enter into...
Panavision revives VistaVision for a digital world: part 2
Does large format really create a greater sense of depth and dimensionality in a flat image? Read on to...
Panavision revives VistaVision for a digital world: part 1
The mid-20th century epic movie experience is returning to a screen near you— at your local cineplex, in your...
Classic Course: Tint versus Tritone
Continuing with still-useful movies from our old “Insight Into Effects” course, this one explains why you shouldn’t reach for...
Bigger is better? OK, but why?
Whether it’s Quentin Tarantino shooting “Hateful Eight” in 65mm, the Panavision Millenium DXL, RED’s VV sensors, the Arri Alexa...
In Depth Look – HitFilm Pro 2018
I’m the first one to admit that I’m a fan of HitFilm. For me, it’s like the Little Engine...
ART OF THE CUT with Sidney Wolinsky, ACE on “Shape of Water”
Art of the Cut last spoke to editor Sidney Wolinsky, ACE, in 2015 about his work on House of...
ART OF THE SHOT: Buddy Squires, ASC Talks About Shooting Ken Burn and Lynn Novick’s “The Vietnam War”
He has shot more than 200 films and is a frequent collaborator with Ken Burns. Buddy Squires, ASC is an...
Christmas Gift Ideas for the Editor – 2017 edition
As 2017 winds down and the holiday season ramps up then it must be time for another Christmas...
