Review: RØDE AI–1 interface—preamp and A-to-D/D-to-A converter
As promised after teasing it in my recent RØDE NT1 microphone review, here is the RØDE AI–1 interface—preamp and...
The 2018 guide to Google’s VR180 cameras
Two new – official – cameras for the consumer, and one professional cinematic VR180 model were on show at...
Removing People from 360 Videos in Final Cut Pro X
This week on MacBreak Studio, Steve Martin from Ripple Training shows us how to remove a person from a...
Some clips from Quantel’s “Clips”
As one year finishes and another begins, it’s traditional to look back and reflect on the last 12 months....
The “large format” look: Sigma primes on a RED Monstro, in 8K
What’s the big deal about large format cinematography? Shallow focus on wide shots. It’s a big deal. One of...
Monitoring challenges when using multiple digital USB mics simultaneously
Digital USB microphones have improved in quality and multiplied in availability on the market. This can simplify systems and...
NiSi Natural Night filter, a light pollution reducer
Astronomers and astrophotographers use of filters that can reduce light pollution is normal, but now we’ve different brands offering...
The 2018 Compact Cinema Camera Shootout
There are a few things you should know about the “shootout” video that I’ve just completed, especially in light...
ART OF THE CUT: Editing the ACE nominated Molly’s Game
Aaron Sorkin has long been known for great writing and smart TV drama. On Molly’s Game, he steps into...
Meet Me at Arri Burbank on January 19th
If you’ve got some time to spare on January 19th, and you’re near Burbank, stop by and see me...
