Adobe and Avid need to support iXML metadata for audio channels in the timeline
This post is just a gentle public shaming for my friends over at Avid and Adobe. They are behind...
New Olympus MFT costs $500 more than full frame Panasonic Lumix DC-S1
The final presentation of the Lumix S1 and S1R makes, no doubt, things difficult for Olympus, that is selling...
Sony 4K PTZ BRC-X1000 and BRC-H900: REVIEW
Sometimes you cannot get a camera and a camera operator in the right position to get the shot. For...
Building a photo and video editing DREAM MACHINE for 2019
Choosing the right CPU for Premiere Pro is not an easy task and with modern GPUs DaVinci Resolve seems...
Classic Course: CC Vector Blur
This fun blur from the Cycore Effects that come bundled with Adobe After Effects. It looks at a second...
Solutions to Resolve 5: Taming Color Management – Part 2
To pick things up from where we left them at the end of the previous article (Taming Color Management...
ART OF THE CUT with ACE EDDIE winner “The Favourite”
Yorgos Mavropsaridis just won the ACE Eddie for Best Edited Feature Film – Comedy. He was also nominated for...
Chromatic aberration: hard edges, hue shifts, and storytelling
Accidents yield interesting truths. This is especially true in lens and camera tests, where it’s hard to know what...
What’s missing from the new full-frame Panasonic Lumix cameras?
Many videographers are excited about the new full-frame Panasonic Lumix DC-S1 and DC-S1R cameras, without noticing a few key...
Art of the Cut’s “Voices from Sundance” podcast, Ep. 6
In this episode of Art of the Cut’s “Voices from Sundance” podcast series, we’re talking with Japanese editor Maho...
