RED and Nvidia show how to edit 8K video in real time
The new Turing architecture from Nvidia, allowing to shift hundreds of trillions of pixels, is the “engine” behind the...
ART OF THE CUT with Oscar-winning editor, Chris Dickens, ACE
Chris Dickens, ACE, won the Oscar and an ACE Eddie for Best Editing for Slumdog Millionaire. He was also...
GY-HC500 & GY-HC550: JVC’s new cameras break the 10-bit barrier + add ProRes & J-Log1 (10-bit) for HDR
I am very excited to share that JVC’s new 1-inch type sensor GY-HC500 and HC550 cameras now break the...
Lens coverage, sensor size, and pushing the limits
Sensors and lenses don’t always get along. In the HDR and UHD world, it’s important to test, test, test....
Blackmagic Design: everywhere from houses of worship to eSports arenas
From shooting and color grading a film as Siberia, to streaming solutions for eSports in Tokyo or houses of...
Signature Primes vs. Ultra Primes: The Pixel-Peeper’s Guide
For nine months I’ve been working periodically as a trainer for the ARRI Academy. Recently we added an Alexa...
Wait you can do that with an adjustment layer? (In Final Cut Pro X)
This week on MacBreak Studio, I reveal the magic power of adjustment layers in Final Cut Pro X. Ok,...
Introduction to Skin Refinement and Beauty work in DaVinci Resolve 15.2
Color Correction is often seen as – that technical part of the work before the fun creative “grading” part...
Puget Systems offers After Effects CC FREE benchmark for PC and Mac
If you feel that your Adobe After Effects workflow slows you down, maybe it is time to buy a...
ART OF THE CUT with Oscar-nominee, Tatiana Riegel, ACE
Tatiana Riegel, ACE was last profiled in Art of the Cut for her Oscar-nominated editing of director Craig Gillespie’s I,...
