Faking 3D in After Effects
3D is ever present in the motion graphics world. It’s also hard to learn and, occasionally, overkill. That’s where...
Art of the Cut Podcast Eps. 26 (w/ “The Aeronauts” Editor Mark Eckersley)
The Art of the Cut podcast brings the fantastic conversations that Steve Hullfish has with world renowned editors into...
See Paramount Pictures 2D and 3D movies in VR with Bigscreen
Since the experience of watching Top Gun 3D in Bigscreen, in 2017, everyone knew it was coming. Now Paramount...
ART OF THE CUT with “The Aeronauts” editor Mark Eckersley
Mark Eckersley is a London-based editor who has cut features including Dredd, Filth, The Woman in Black 2, and...
Let’s Edit with Media Composer – Creating Dailies Part 2 – DaVinci Resolve
One thing that editors are getting more and more into, is Color Correction/Grading using DaVinci Resolve, but most editors...
Why NewTek castrated the TriCaster Mini’s software (2019)
In November 2019, I applauded NewTek for streamlining the hardware in the new TriCaster Mini (2019), in an act...
After Effects Classic Course: Wiggle Transform for Shape Layers
For the next few months, we’re going to be working our way through various “new features” courses we created...
Oculus Quest + Link review: an afterthought or marketing strategy?
Oculus decision to add a cable to connect the Oculus Quest to a PC transformed the VR headset in...
10 Tips for Multicam Editing in Final Cut Pro X
This year was the 30th anniversary of the Bioneers conference held annually at the Marin Civic Center in San...
70th annual ACE EDDIEs announced
American Cinema Editors announced the nominees for the 70th Annual ACE Eddie Awards today. The awards will be voted...
