Tracking in Mocha: The must-have 2020 skill upgrade
Editors, mograph artists, and VFX artists all need to track objects. What if in 20 minutes you could learn...
Shared Storage for Small to Medium Post
Over recent decades many of the tools used in video production and post have become smaller, easier to use,...
SIGMA Cine Lenses with Cooke’s /i Technology used in Top Gun: Maverick
The first batch of SIGMA CINE LENS with Cooke’s /i Technology arrives in February to the market, but some...
Voices From Sundance: “Miss Juneteenth” Editor Courtney Ware
Welcome to a special podcast series from Steve Hullfish and ProVideo Coalition! For the next few weeks, in addition...
ART OF THE CUT with Mdhamiri Nkemi, editor of “Blue Story” and BBC’s “The Pale Horse”
Mdhamiri Nkemi has recently cut two feature films drawing critical acclaim in the UK: The Last Tree and Blue...
Canon EOS RP full-frame camcorder US$999 Rich Port observations
The unusual name of the Canon EOS RP mirrorless hybrid camera reminds me of the English translation of the...
Jobs On Set: A Conversation w/ Steadicam Operator Jess Lopez, SOC
Recently we had a chance to talk with Jess Lopez, SOC about her career as a camera operator....
Fujifilm X-T200: the first X-series camera with a digital gimbal inside
Able to record 4K UHD video at 30fps, with new Electronic Stabilization and HDR Video Modes, unique color reproduction...
Productions: a new workflow coming to Adobe Premiere Pro
This is an unexpected little Adobe Premiere Pro related news drop that comes right out of the Sundance Film...
A Look At The New Full-Frame Sony FX9: A Camera Review
Ten days. I was loaned the Sony PXW-FX9 for about ten days. It only took me one day with...
