Get it right in production, not post
From the golden days of movie-making, to the race from analog to digital, the film industry has always had...
Atomos: go on safari at home and win a Shogun 7 HDR monitor-recorder
Atomos wants to see the best wildlife footage you can capture without breaking any government social distancing rules. Get...
ART OF THE CUT with ACE Eddie winner Dan Crinnion on “Killing Eve”
Dan Crinnion, ACE was recently nominated for a Primetime Emmy Award and won an ACE Eddie for Best edited...
Animating with Behaviors in Motion
This week on MacBreak Studio, I demonstrate the power and flexibility of Motion’s behaviors for creating animations without a...
Surviving LA
I had no idea what would happen when I arrived in LA. I had established a long career as...
How to: Easy remote editing and collaboration with identical hard drives
There is, without a doubt, more interest and movement today about true remote editing than has ever happened before...
Art of the Cut Podcast Eps. 43: (“Killing Eve” Editor Dan Crinnion, ACE)
The Art of the Cut podcast brings the fantastic conversations that Steve Hullfish has with world renowned editors into...
Rogue FlashBenders: a decade of evolution in light shaping
The new Rogue FlashBenders v3 are an improved version of a product that I first tried 10 year ago,...
Let’s Edit with Media Composer – Sending Audio Sessions to ProTrools
One of the most common Media Composer workflows is sending your timeline or more specifically an audio session to...
Comparison: NewTek NDI HX Camera app vs NDICam app (both for iOS)
In my recent review of Ecamm Live for multicam switching and streaming, I covered two apps which allow converting...
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