Art Of The Cut Podcast Eps. 49 (“What We Do In The Shadows” & “I Am Not Ok With This” Editors Dane McMaster & Yana Gorskaya, ACE))
The Art of the Cut podcast brings the fantastic conversations that Steve Hullfish has with world renowned editors into...
Quick Look – DVD Architect from Magix
One thing that disappoints me, is when companies decide what is right for us. They decide that they know...
NAB AT HOME: 2020 Prosup Tango Roller Camera Slider
Who is Prosup? Prosup is a Dutch-based manufacturer of high-quality camera support equipment. The Dutch company is distributed by...
NAB AT HOME 2020: Tokina Cinema Lenses and Diffusion
Tokina Cinema USA has quite a few tools up their sleeves for cinematographers. An entire cinema lens line-up for...
NAB AT HOME 2020: Canon Broadcast Lenses and Controls
One really cannot beat the speed of a B4 lens on a 2/3-inch sensor. If you have worked in...
ART OF THE SHOT: Paul Cameron, ASC on Westworld and the Craft of Cinematography
This is a continuation of a conversation with cinematographer Paul Cameron, ASC. Part 3 coming next week. And look for...
After Effects Classic Course: new modes & effects for post in CS5
Visual effects artists in particular were the target of the new Subtract and Divide modes plus Refine Matte and...
Cleanfeed Pro multitrack + safety backup in Hindenburg Journalist Pro
As I have covered previously, Cleanfeed and Cleanfeed Pro are my favorite options to record high quality audio remotely...
Grade it yourself: color correction fundamentals
Editors often shy away from final color correction. However, the budget on many projects doesn’t include room for a...
After Effects & Performance. Part 13: The Wilderness Years
By 2014 After Effects was roughly 21 years old. The list of improvements and new features added since the...
