Art Of The Cut Podcast Eps. 51 (“Deadliest Catch” Editing Team)
The Art of the Cut podcast brings the fantastic conversations that Steve Hullfish has with world renowned editors into...
Kicking the Tires on BeBop Technology and remote video editing
True remote video editing takes some work to set up. It has to be fast. The system has to...
Ecamm Live: computer selection for demanding matte IPS lovers who prioritize health and ergonomics
Many content producers have already made the core decision to use the NDI-powered Ecamm Live software for their studio...
REVIEW: Canon C500mkII
I’m rarely a first adopter of new technology, and sometimes I get burned, but the morning they announced the...
Hollywood goes back to work, but it’s a whole new Hollywood
Hollywood is no stranger to pandemics, since 1914, but this one hit it hard and for real. As the...
DIY Land Shark Effect
Just when you thought it was safe to stay to go back out in the tornado…In this Impossible Shot,...
NAB-AT-HOME: 2020 Cooke Talks Lenses and Industry Wisdom
Wisdom comes from experience. Cooke’s expertise gained from years of making cinema lenses ranging from some of the very...
Creating Freeze Frame Effects in Final Cut Pro X
This week on MacBreak Studio, I demonstrate a simple example of the “freeze frame” effect and how to accomplish...
Let’s Edit with Media Composer – Lesson 1 – Getting Started
Hey Everyone, So, I’ve been debating for a while now about rebooting the channel, and taking things back to...
ART OF THE CUT with Jake Roberts, ACE, on editing “Devs”
In this interview, I’m talking with Jake Roberts, ACE. I have spoken with Jake twice before, for the 2015...
