NAB AT HOME 2020: Tokina Cinema Lenses and Diffusion
Tokina Cinema USA has quite a few tools up their sleeves for cinematographers. An entire cinema lens line-up for...
NAB AT HOME 2020: Canon Broadcast Lenses and Controls
One really cannot beat the speed of a B4 lens on a 2/3-inch sensor. If you have worked in...
ART OF THE SHOT: Paul Cameron, ASC on Westworld and the Craft of Cinematography
This is a continuation of a conversation with cinematographer Paul Cameron, ASC. Part 3 coming next week. And look for...
After Effects Classic Course: new modes & effects for post in CS5
Visual effects artists in particular were the target of the new Subtract and Divide modes plus Refine Matte and...
Cleanfeed Pro multitrack + safety backup in Hindenburg Journalist Pro
As I have covered previously, Cleanfeed and Cleanfeed Pro are my favorite options to record high quality audio remotely...
Grade it yourself: color correction fundamentals
Editors often shy away from final color correction. However, the budget on many projects doesn’t include room for a...
After Effects & Performance. Part 13: The Wilderness Years
By 2014 After Effects was roughly 21 years old. The list of improvements and new features added since the...
NAB-AT-HOME: 2020 Audio Design Desk
Audio editing can sometimes feel like a forgotten aspect of filmmaking and production. Yet, as a twenty-year veteran camera...
Art Of The Cut Podcast Eps. 48 (“The Last Dance” Editing Team)
The Art of the Cut podcast brings the fantastic conversations that Steve Hullfish has with world renowned editors into...
NAB-AT-HOME 2020: Lensfinder.com Is Now Free
We all may have dived down the inter-web wormhole to find that elusive cinema lens—a time-consuming process. With Lensfinder.com,...
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