Art Of The Cut Podcast Eps. 88 (“One Night in Miami” Editor Tariq Anwar)
The Art of the Cut podcast brings the fantastic conversations that Steve Hullfish has with world renowned editors into...
After Effects & Performance. Part 16: A few bits and bobs
As this series on After Effects and Performance draws to a close, there are a few loose ends to...
Review: Maono AU-HD300T dynamic hybrid USB/XLR microphone
Here is my review of the Maono AU-HD300T dynamic hybrid USB/XLR microphone. I am glad to see the market...
ART OF THE CUT with Michelle Tesoro, ACE on editing “The Queen’s Gambit”
Today I’m talking with Michelle Tesoro, ACE about editing The Queen’s Gambit. She edited The SXSW Grand Jury Prize-winning...
The New Sony FX3, A First Look At The Cinema Camera
I need a battery—just a single battery in that camera’s battery compartment. Twenty-four hours before the official announcement of...
V90 memory cards: your choice for 4K video and beyond
The variety of numbers inscribed on a memory card may be confusing sometimes, but one piece of information is...
Using Camera-Generated Proxies in Final Cut Pro
As more and more cameras capable of shooting 10-bit 4-2-2 video hit the market at lower and lower price...
RØDECaster Pro: How to connect it to unbalanced audio monitors
In past articles, I have covered the advantages of balanced audio connections. I have even covered the differences between...
ART OF THE CUT with multi-Oscar winner, Arthur Schmidt, ACE
Today I’m talking with Arthur Schmidt, ACE. Arthur won an Emmy and an ACE Eddie for his editing of...
New Blackmagic Design Pocket Cinema Camera 6K Pro Thoughts
Blackmagic finally adds key features to the Blackmagic Pocket Cinema Camera 6K Pro. Features like internal ND, 2 XLR...
