REVIEW: Pixeltools Film Lab Powergrade Collection
Shooting with modern digital cinema cameras, at least from a workflow perspective, is objectively better than the film ways...
Sony Venice 2 CineAlta: new flagship has 8.6K full-frame image sensor
With 16 stops of total latitude, according to Sony, the Venice 2 features a compact body design, and ability...
How to brand Zoom ZHP-1 headphones
You may recall that back in 2018, I reviewed the unbranded —yet brandable— CB-1 isolating headphones from Status Audio....
VRDays: what can AV producers expect from the metaverse?
As immersive technologies change the landscape, one question arises: what can AV producers expect from the metaverse? The VRDays...
Review: 16-inch Apple MacBook Pro M1 Max for video editors – Part 2 vs iMac Pro
When reviewing the new 16-inch MacBook Pro M1 Max the closest competitor as far as form factor goes was...
They don’t call it Series Mania for Nothing
I had two weeks to kill before heading to my second reason for being in Europe: the Series Mania...
Watch Finding Pandora X virtual experience at AWE USA 2021
Finding Pandora X is an immersive theatrical VR experience where you will become part of a Greek Chorus. The...
Art of the Frame Podcast w/ “Zombie House Flipping” Editors Jeannette Christensen & Dan Wolfmeyer
The Art of the Frame Podcast brings in-depth conversations with the top creators of your favorite films and shows...
Cinematography is still hard
Cinematography is hard, and as a result people have often resorted to cheating. This is a praiseworthy and noble...
AE 2022: Multi-Frame Rendering has arrived!
Last week Adobe released After Effects 2022, which includes a number of new features that massively improve performance. I’m...
Latest
Post Production
