LUMIX GH6: the tech behind the new Panasonic camera
Announced this month, the LUMIX GH6 has a lot of new features, based on state-of-the-art technologies to enhance video...
Thriller The Desperate Hour shot with URSA Mini Pro 12K
A riveting and pulse pounding thriller from award winning director Phillip Noyce, “The Desperate Hour” was shot by cinematographer John...
Color Management Part 2: Newton’s Prisms
Color management may not be fun, but we once we break the topic down into small parts it becomes...
Learn Final Cut Pro in Under 60 Minutes
Our regular MacBreak Studio episodes are 5 to 10 minute tips, usually focused on post-production, and often covering Final...
OM-1: the Quad Pixel AF camera with enhanced video functions
Computational photography, which we’ve seen growing with smartphones, is present inside the new Olympus camera, which has a new...
Genesis: from a VFX pipeline to a real time engine workflow
Telling the story of 4.7 bn years of evolution condensed into 24 h reveal, Genesis is also a radical...
Color Management Part 1: The Honeymoon is over.
Welcome to the first part of my new series on color management. Although it’s exciting to launch a new...
Editors on Editing Podcast w/ “Belfast” Editor Úna Ní Dhonghaíle
On todays episode of Editors on Editing, Glenn talks with “Belfast” editor Úna Ní Dhonghaíle. You likely know Úna...
Galaxy S22 Ultra: the most powerful cameras in a smartphone
The new Samsung Galaxy S22 family includes the Galaxy S22 and S22+, but if you’re serious about photography and...
Plan B: using ZEISS Supreme Primes and Sony Venice
What happens when you pair the Sony Venice camera and Zeiss Supreme Primes for a mostly low light film?...
