Review: 16-inch Apple MacBook Pro M1 Max for video editors – Part 1
I was excited to take delivery of the newly announced MacBook Pro M1 Max last week for some post-production-related...
Review: DxO FilmPack 6, an interactive Time Machine
Support for X-Trans RAW files, in Beta, is a key feature of the new DxO FilmPack 6, which brings...
Road testing the //ROGUE PRO by DigitalGlue
Earlier this year we covered the announcement of the //ROGUE PRO. Recently we had a chance to test drive...
ProRes framerate iPhone 13 questions, answered
On September 16, 2021, I published: iPhone 13 ProRes — 6 questions for Apple. Those questions were about whether...
Editors on Editing w/ “No Time To Die” Editors Tom Cross, ACE & Elliot Graham, ACE
The Editors on Editing Podcasts brings the fantastic conversations that Glenn Garland has with world renowned editors into your...
Review: DxO PhotoLab 5 supports X-Trans sensors and is faster now
Support for Fujifilm X-Trans is now included, as the latest version of DxO PhotoLab expands its photo library features,...
New MacBook Pros, new M1 Pro and M1 Max chips and Final Cut Pro 10.6 in today’s Apple Event
It was a big Apple day for pro users after today’s Apple Event as the long rumored and redesigned...
Final Cut Pro 10.6 New Features
Full dot releases for both Final Cut Pro and Motion today with a few new and interesting features. First,...
Taking The New Sigma 28-70mm F2.8 DG DN | C For A Spin
Sigma allowed me to take the new Sigma 28-70mm F2.8 DG DN | C for a bit of a...
Is too much Resolution too much of a good thing?
For decades, the push for resolution in electronic cameras was practically a war, a way of life, an epic...
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