Now you can transcode Blackmagic RAW in the cloud with Alteon.io
Content creators can now save hundreds of hours every year thanks to Alteon.io, an all-in-one hub for professional creatives...
Fast and simple on-site AV setup with AJA’s Io 4K Plus
A recent case study shared by AJA shows how AVTEAMUK is deploying AJA’s Thunderbolt-equipped Io 4K Plus to support...
Color Management Part 11: Introducing OpenColorIO
OpenColorIO is a free, open source, industry standard plugin for color management. But if After Effects has a built...
Sony FR7: a new PTZ camera with cinematic features on show at IBC2022
Sony’s Cinema Line gains a new member the ILME-FR7, a PTZ camera that opens new creative and cinematic possibilities...
Pushing the Envelope
Introduction Once upon a time, videos came on tapes and then discs. And now they mostly don’t. Along that...
Inspire Media Conference returns to Memphis next week
I’ve posted before about the Inspire Media Conference in Memphis, Tennesee before, in 2019 when it was in its...
Sony Xperia 5 IV, a compact Xperia for content creation
Cinematic video features on all three lenses with 4K HDR, 120 fps super slow-motion recording to create a cinematic...
Atlas Lens Co. Launches New “Mercury” Line of 1.5x Anamorphic Lenses
Today, Atlas Lens Co. announces the launch of its Mercury Series 1.5x front anamorphic cinema lenses – marking a...
After Effects Roundup for August 2022
Adobe MAX 2022 registration is now open. This year’s event is going to be in person and online! Grab...
Call for participants: ACES at Camerimage
Attending Camerimage in Toruń, Poland this November? Want to talk about your use of ACES (the Academy Color Encoding...
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