Webinar: Affordable Anamorphic Adapters
I did a webinar for Moviola on Affordable Anamorphic Adapters today; it’s available for replay at Moviola. Here are the intro notes,...
PowerDirector 15: 360-degree and vertical video editing
One year after the launch of PowerDirector 14, presented as “extreme editing”, Cyberlink takes the program a step further,...
ART OF THE CUT with John Refoua, ACE on “Magnificent Seven”
John Refoua has nearly 30 editing credits going back to the early 1990s, starting with TV including “Law and...
Arc/k Project: preserve the past and create 3D models for Hollywood filmmakers
The Arc/k Project, a new nonprofit focused on digital preservation, plans to create 3-dimensional records of the world’s most...
Magix releases VEGAS Pro 14
Three months after the official acquisition of the majority of Sony Creative Software products, MAGIX is releasing VEGAS Pro...
Working with vector graphics in Final Cut Pro X
This week on MacBreak Studio, I show Steve Martin from Ripple Training how you can work with vector graphics...
Let’s Edit with Media Composer – ADVANCED – Matte Key Transitions
In this lesson, Kevin P McAuliffe wraps up his talk on transitions by talking about Matte Key transitions in...
Let’s Edit with Media Composer – ADVANCED – BCC Transitions
In this lesson, Kevin P McAuliffe starts things off by talking about the importance of updating your BCC 10...
Q and A with Boris Yamnitsky about the Boris FX – GenArts acquisition
One of the surprise acquisition announcements to come out of IBC 2016 (I mean besides Blackmagic buy Fairlight) was the announcement that...
DaVinci Resolve on a Surface Pro 4
Blackmagic Design and Intel loaned me a Surface Pro 4 to test the performance of the Iris GPU and...
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