ART OF THE CUT with “La La Land” editor Tom Cross
Tom Cross, ACE won the 2015 Oscar for Best Editing for the film “Whiplash,” which was hailed as an...
Meters, Levels, Peaks, Calm-28 Weeks of Post Audio-Week 5
Meters, loudness, levels and the CALM Act can be a technical and somewhat confusing topic. I will try to make this...
Importing iXML data into Final Cut Pro 10.3
This week on MacBreak Studio, Ripple Training’s Steve Martin shows us how you can now automatically assign roles when...
ART OF THE CUT with Mark Day of Fantastic Beasts
Mark Day and Harry Potter are probably on a first name basis. He’s edited four of the Harry Potter...
Delete Selection Only in Final Cut Pro X
This week on MacBreak Studio, Ripple Training’s Steve Martin shows us how he edits audio with the new “Delete...
Bluetooth headphones: battery life trumps sound quality
The powers that be seem to want everyone to use Bluetooth headphones, and they may come in handy for...
ART OF THE CUT with Joe Walker, ACE, on “Arrival”
Readers who follow Art of the Cut will be familiar with Joe Walker, ACE. I originally talked to Walker...
Holiday Deals: JBL LSR305 & Equator Audio D5 Studio Monitors
There was a deal Black Friday weekend on JBL LSR305 Studio Monitor, a good lower-end 5″ active studio monitor. At...
Christmas gift ideas for the editor – 2016 edition
Since Thanksgiving is over here in the United States it must mean the holiday buying season is in full...
ART OF THE CUT with the editors of Stranger Things
Kevin Ross and Dean Zimmerman are the editors behind the cultural phenomenon that is Stranger Things. If you haven’t...
