Let’s Edit with Media Composer – ADVANCED – Background Services
In this lesson, Kevin P McAuliffe talks about a great, under-utilized feature in Avid Media Composer, and that is...
Get Started Fast with Media Composer for Adobe Editors — Part 1
This tutorial series is designed for Premiere Editors to get a quick look at the important, fundamental differences in...
Why Final Cut Pro X? A Preditor’s POV
I tell people straight up that FCP X is the best NLE I have ever used: Sean Lander –...
Using the Align To behavior in Motion 5.3
This week on MacBreak Studio, I show Ripple Training’s Steve Martin a new feature in Motion 5.3. The Motion...
2 Chromebooks reviewed: CTL J4 Plus laptop & Chromebit stick
In the past few months, I have purchased two quite different Chromebook models, and used them to write, produce...
Color-grading Underwater in real time
When recently Cognition completed VR post for “Underwater” they did more than that: they allowed senior colorist Mike Eaves...
ART OF THE CUT with Jabez Olssen on editing “Rogue One”
Jabez Olssen has had a career any editor would be envious of, from his first assistant editor gig on...
Westworld: a challenging playground for the sound team
The sounds of Westworld will come back to us in 2018, when the new season begins. But if you...
FREE Video Editing Software: 2017 guide
If you’ve just arrived to the world of video, chances are that names like DaVinci Resolve are more popular...
Let’s Edit with Media Composer – ADVANCED – What’s New in 8.7
In this lesson, Kevin P McAuliffe gives you an overview of the hot new features inside of the newest...
Latest
Post Production
