A RED camera with a 140-year old lens
Pairing a lens built 10 years before the Eiffel Tower started to be built with a 5K RED DRAGON...
State of the NLE at Faster, Together 2018
The Right Editing Software We’ve all at least seen it happen. Someone mentions an editing software. Someone else derides...
Andrew Shulkind: human stories are our job and our lifeblood
Obsessed with movies and lighting, a photography course set the path Andrew Shulkind would walk. Virtual Reality came after,...
Slow, Stalled and Stuck Media Files? Why FTP is no longer the best solution
The flow of data across the Internet is steadily and constantly increasing, with annual global IP traffic predicted to...
Review: The i1 Filmmaker Kit and Colorchecker Video from X-Rite
I was recently sent the i1 Filmmaker Kit and Colorchecker Video from X-Rite to review, and since the process...
Getting Started with HitFilm Pro – Lesson 2 – Creating your first project
In our last lesson, in our look at learning HitFilm Pro, we talked about the different purchasing (as well...
Managing complex expressions in After Effects
Expressions in After Effects are a powerful tool for animation, but while they can be as simple as the...
ART OF THE CUT with Oscar-winning editor, Joel Cox, ACE
There are a few famous pairings of directors and editors: Martin Scorsese and Thelma Schoonmaker, ACE; Steven Spielberg and...
LUFS audio standards update for May 2018
Since I published How many LUFS for ideal audio loudness? Why can’t we be friends? in March, both Adobe...
New Features in DaVinci Resolve 15
DaVinci Resolve 15 The team at Blackmagic Design is at it again. DaVinci Resolve 15 has made some major...
