Switching to Windows: the hidden cost
As with many folk in the film industry, the absence of Nvidia options from Apple’s line of laptops forced...
ZEISS ZX1: the world’s first full frame camera with Adobe Lightroom CC inside
Ugly, huge and strange, the new ZEISS ZX1 is the first camera in the world to come with a...
REVIEW – MOCHA PRO 2019
How do you make “the best” even better. Now, I know that saying something is “the best” can be...
How I edited a complex feature documentary with in Adobe Premiere Pro with no crashes
I recently completed a feature-length documentary edit using Adobe Premiere Pro CC 2018 (12.1.2), and we had zero* crashes...
After Effects News 2018 September #3
Recently in After Effects there’s news on the how pro users leverage Creative Cloud apps, approaches to creativity and...
ART OF THE CUT with documentary editor Neil Meiklejohn
Neil Meiklejohn is a documentary film editor who edited the documentaries Long Live Benjamin,and The Battered Bastards of Baseball....
Tweets from the LACPUG meeting with MI: Fallout editor Eddie Hamilton
There hasn’t been any shortage of articles, coverage, and content of the editing and post-production of Mission Impossible: Fallout...
Business for Creatives – The Long-term Mindset
While visiting Sydney earlier this year, I had a good long chat with Den Lennie about the challenges of...
ART OF THE CUT with Brent White, ACE on “A Simple Favor”
More likely than not, an Art of the Cut interview with Brent White, ACE, would probably be about editing...
Cinema Grade – a new way to color grade footage inside of your NLE
Cinema Grade is a new color grading plug-in for Adobe Premiere Pro, Final Cut Pro X and DaVinci Resolve that utilizes...
