Classic Course: Calculations
Continuing our theme of often-overlooked utility plug-ins in Adobe After Effects that can create interesting composites with a minimum...
Who Should Win an Oscar? Interviews with the 91st Academy Award Nominees
With controversy about the decision to hand out Oscars during the ad break finally being resolved, we can shift...
ART OF THE CUT with Naomi Geraghty, editor of “The Upside”
Naomi Geraghty has been working as a film and TV editor for nearly 20 years. Her work includes TV...
Eve Cohen, DP on Ashe’ 68, a documentary in 360 VR
Ashe ’68 takes us back to one of America’s most tumultuous years. The Ashe ’68 VR Impact Tour aims...
Classic Course: CC Composite
This effect was long one of our secret weapons in Adobe After Effects to create looks like our “instant...
ART OF THE CUT with Luke Ciarrocchi on cutting “Glass”
Luke Ciarrocchi is best known for his work with groundbreaking director, M. Night Shyamalan. Their collaboration, as editor and...
Adobe and Avid need to support iXML metadata for audio channels in the timeline
This post is just a gentle public shaming for my friends over at Avid and Adobe. They are behind...
Building a photo and video editing DREAM MACHINE for 2019
Choosing the right CPU for Premiere Pro is not an easy task and with modern GPUs DaVinci Resolve seems...
Classic Course: CC Vector Blur
This fun blur from the Cycore Effects that come bundled with Adobe After Effects. It looks at a second...
Solutions to Resolve 5: Taming Color Management – Part 2
To pick things up from where we left them at the end of the previous article (Taming Color Management...
Latest
Post Production
