Congratulations to the Oscar nominated editors
Art of the Cut congratulates all of the Oscar nominated editors for Best Film Editing How hard did they work...
Classic Course: Box Blur
Want to decide how smooth or coarse your blur is? This is the effect to use. The next few...
Michael Semanick – Storytelling with Sound
Michael Semanick is an award-winning rerecording mixer of some of the most creative and celebrated films to come out...
Let’s Edit with Media Composer – What’s New in Title Studio 2019
In this lesson, Kevin P McAuliffe talks about the newest updates to Boris Continuum Complete 2019’s Title Studio. This...
ART OF THE CUT on “Black Panther” with editor Michael Shawver
Editor Michael Shawver has edited all of director Ryan Coogler’s films, starting with Fruitvale Station and Creed. He’s edited...
PostChat asks: The 3 things to know about the editing profession are?
The long-time post-production Twitter account #PostChat asked this interesting question: The 3 things to know about the editing profession are:1__________2_________3_________#postchat...
Review: Imerge Pro, a RAW image compositing and green screen champion
Key, edit, crop and color your way to high-end composites with FXhome’s Imerge Pro, which features unlimited layers and...
Classic Course: Automatic Color Adjustments
All too often, you will get footage that is not lit that well, or which has a color shift....
ART OF THE CUT, with Wyatt Smith, ACE on Mary Poppins Returns
Wyatt Smith, ACE has edited films including Nine, Pirates of the Caribbean: On Stranger Tides, Thor: The Dark World,...
Review: BenQ PD2700U Monitor
I’ve been working on a lot of coloring projects recently, and at Adobe MAX the subject came up when...
