Thoughts on AE: What’s after After Effects?
Over the past couple of years, I’ve seen an increasing number of After Effects users talk about switching to...
Review: addlink S70 SSD NVMe, a 1TB fast drive for the low price of $120
If you want to move from HDD to SSD, consider a NVMe SSD as your best option. The addlink...
After Effects Classic Course: Colorama 2 – Tinting
After watching the movie in the previous post, you should now be over your initial shock and fear of...
Apollo 11 moon landing: the NVIDIA, Shutterstock and DJI versions
With the tools available today, almost anyone can shoot convincing footage of astronauts landing anywhere on the Universe: NVIDIA,...
Let’s Edit with Media Composer – 2019 Multicam Updates
In this lesson, Kevin P McAuliffe talks about Multicam editing, and more specifically the updates to Media Composer’s Multicam...
AE Project Diary: 9) Digital van replacement
In July last year I began work on a number of vfx shots for a short film called “At...
ART OF THE CUT with feature film editor, Roger Barton
Roger Barton has edited many of the biggest and most iconic films in Hollywood history. As an associate editor,...
The Art of the Cut Podcast Eps. 4 (w/ Spider-Man: Far From Home Editors Dan Lebental & Leigh Folsom-Boyd)
The Art of the Cut podcast brings the fantastic conversations that Steve Hullfish has with world renowned editors into...
71st Emmy Awards – Art of the Cut nominated editors
Congratulations to all of the nominated picture editors for this year’s Emmy Awards. (71st Emmy Awards) If you’re interested...
After Effects Classic Course: Colorama 1 – Overview
The last few posts have been about both the corrective and creative uses of color manipulation. Now it’s time...
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