DCS Event in SF: The Latest from Blackmagic Design
Join the Digital Cinema Society at San Francisco’s Beyond Pix Studios for an exploration of the latest technology from...
Create the “Undone” look using EbSynth
The new Netflix series “Undone,” like “A Scanner Darkly” before it, creates a compelling visual style by rotoscoping live...
The Art of the Cut Podcast Eps. 14 (w/ “Ad Astra” Editors John Axelrad, ACE & Lee Haugen)
The Art of the Cut podcast brings the fantastic conversations that Steve Hullfish has with world renowned editors into...
The Untold Story of Everything Digital: celebrate 70 years of digital revolution
The Untold Story of Everything Digital: Bright Boys, Revisited celebrates the 70th anniversary (1949-2019) of the world “going digital”...
AVID editors (editors in general) be on alert about this potential rebooting issue. UPDATE: Google’s fault
I normally don’t to a lot click-bait, scare-mongering blog posts trying to keep up with some breaking news but there...
After Effects Classic Course: Remove Color Matting
One of the tell-tale signs of a good composite versus a bad composite is the quality of the edges...
ART OF THE CUT with Gary Dollner, ACE, editor of “Fleabag” and “Killing Eve”
Gary Dollner, ACE, is an award-winning editor with BAFTA nominations for In the Thick of It (2005), and Fleabag...
Windows 10 LTSC: better for production & sanity than Home or Pro
I certainly don’t prefer the Windows operating system, but sometimes people must use it. In this article, you’ll learn...
Let’s Edit with Media Composer – Settings, Settings, Settings
In this lesson, I’m going to talk about User Settings. Most people create their user settings, and then only...
Watchtower – Automatically load media into your Premiere Pro or After Effects bins
I’ve always thought that one of the most useful features a non-linear editing tool could add would be watch...
