SMPTE Hollywood explores Deepfakes: creative promise and potential perils
The next SMPTE Hollywood Section meeting explores “deepfakes”, and how the emerging field of synthetic humans can be used...
Day 2 from Adobe MAX 2019
As is now tradition, I live-streamed the first chunk of the morning’s Keynote on the Uber over as I...
Let’s Edit with Media Composer – Dailies Workflows Part 1 – Working with Dailies from Assimilate Scratch
This tutorial, and the next bunch after it came from a very simple place. Someone posted on the Avid...
Art of the Cut Podcast Eps. 20 (w/ “Motherless Brooklyn” Editor Joe Klotz, ACE)
The Art of the Cut podcast brings the fantastic conversations that Steve Hullfish has with world renowned editors into...
ART OF THE CUT with Oscar nominee Joe Klotz, ACE, on editing “Motherless Brooklyn”
Joe Klotz, ACE has had a feature film and TV career that has spanned more than two decades. He...
Day 1 from Adobe MAX 2019
Last year, I was invited to attend Adobe MAX and to say I was overwhelmed would be an understatement....
Transcriptive 2.0 takes transcription in Premiere Pro to the next level
I’ve been a big fan of Digital Anarchy’s Transcriptive tool for transcription and working with text inside of Adobe...
After Effects & Performance. Part 2: What After Effects actually does
When discussing the history of After Effects and performance, there’s one single, critical, all encompassing factor that we have...
Careful updating to Adobe Premiere Pro 2020 and keeping your older Premiere versions installed
With the new update of the Adobe video apps I think its worth a reminder to be careful when...
After Effects Classic Course: Extended Vignette Techniques (part 1)
In both video editing and motion graphics, the goal is to focus the viewer’s attention in a certain place...
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