ART OF THE CUT with “The Aeronauts” editor Mark Eckersley
Mark Eckersley is a London-based editor who has cut features including Dredd, Filth, The Woman in Black 2, and...
Let’s Edit with Media Composer – Creating Dailies Part 2 – DaVinci Resolve
One thing that editors are getting more and more into, is Color Correction/Grading using DaVinci Resolve, but most editors...
After Effects Classic Course: Wiggle Transform for Shape Layers
For the next few months, we’re going to be working our way through various “new features” courses we created...
10 Tips for Multicam Editing in Final Cut Pro X
This year was the 30th anniversary of the Bioneers conference held annually at the Marin Civic Center in San...
70th annual ACE EDDIEs announced
American Cinema Editors announced the nominees for the 70th Annual ACE Eddie Awards today. The awards will be voted...
The top 7 After Effects scripts you should be using
Ever get that feeling while working in After Effects that you’re doing things the slow way? Enter the magic...
Art of the Cut Podcast Eps. 25 (w/ “Queen & Slim” Editor Pete Beaudreau)
The Art of the Cut podcast brings the fantastic conversations that Steve Hullfish has with world renowned editors into...
Here’s the proverbial new Mac Pro can be ordered post
Unless you’re living under a rock or locked in a dark post-production room you know by now that Apple’s...
Apple Pro Display XDR: compatible Macs with non-integer framerates
I have previously covered Apple’s announcement of its new Pro Display XDR, with both integer and non-integer television rate...
HITFILM Pro 14 – In-Depth
Well, the HitFilm Pro team has done it again. Just when I thought they couldn’t push things to the...
