ART OF THE CUT with the editor of “Judas and the Black Messiah”
Today we’re talking with Kristan Sprague. Kristan edited Judas and the Black Messiah which was just nominated for an...
Hands on with Nuke CopyCat: is it Machine Learning or Witchcraft?
Every now and then something shows up in the world of postproduction that seems too good to be true...
HELP! How do I set a Media Composer project up for an Documentary Offline?
I get a lot of e-mails from people asking me questions about Media Composer. I thought that it would...
It’s 2021: Time to turn your makeshift home office into a bona fide studio
Let’s be honest: back in March 2020 very few of us thought we’d still be editing in our pajamas...
Formula 1 is back, so is Netflix’s documentary Drive to Survive
A week before the 2021 F1 season commences, Netflix releases the third season of its fly-on-the-pitwall F1 documentary series...
Learn AVID now (and FAST)
Most editors know that AVID Media Composer is important. It’s hard to look at a list of Academy Award...
Art Of The Cut Podcast Eps. 91 (“Judas and the Black Messiah” Editor Kristan Sprague)
The Art of the Cut podcast brings the fantastic conversations that Steve Hullfish has with world renowned editors into your...
Changing a long-standing post-production term
Recently I was wrapping up an editing job and generating files for the client and it came time to...
The Museum of Other Realities has a FREE VR exhibit now
Four projects across documentary, experiential and narrative genres, all only available with a tethered VR headset, are now on...
Building a Bold Brand as a Mobile Journalist
Get Your MoJo On Today is the first in a series of posts about mobile journalism (aka “MoJo”). In...
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Oppo Find X10 Pro Max: triple 200MP camera cluster and 8K video
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