Adobe talks with the editors of David Fincher’s MANK
Netflix’s Mank is leading the 2021 Oscar hunt with 10 nominations, including Best Picture and Best Director, so some...
Art Of The Cut Podcast Eps. 93 (“Dick Johnson is Dead” Editor Nels Bangerter)
The Art of the Cut podcast brings the fantastic conversations that Steve Hullfish has with world renowned editors into your...
The best hardware solutions for World Backup Day
World Backup Day is on March 31st, but that’s the celebration day itself, because backup day should be a...
Will Starlink make remote video production more accessible anywhere on the globe?
One thing the COVID-19 pandemic has done for everyone in media production is test their abilities to communicate, produce...
Chrome now has Live Caption for audio and video…even offline
Captions make online content more accessible, but if you’re a Chrome user, the new Live Caption generates captions in...
Understanding Premiere Pro’s Color Management
Read through any of the online forums and you’ll often see this common concern: “Why doesn’t my export look...
State of Remote Editing 2021: How it’s being done and how we should be doing it
It’s a year on from the start of the pandemic shutdown and we revisit the topic of remote editing...
Agence: cinematic storytelling with artificial intelligence
Would you play god to intelligent life? That’s the key question that Agence presents. This dynamic short-film merges cinematic...
ART OF THE CUT with Oscar Best Picture nominee “The Father”
Yorgos Lamprinos is an editor of Greek origin living and working in Paris. Yorgos edited the Oscar Best Picture...
Trusting Apple Displays?
In the “good old days” of post, directors, cinematographers, and clients would all judge final image quality in an...
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