Colour mixing great
Recently, the world has become very excited about the technologies underlying colour mixing LED lights. Here’s why we shouldn’t....
Frame.io Brings FiLMiC Pro to the Cloud – Testing the Workflow
It’s not news that Frame.io has been pioneering camera-to-cloud (C2C) workflows. However, one of the newsworthy integrations recently announced...
REACTION!!! Re-write After Effects from scratch???
Should Adobe re-write After Effects from the ground up? Earlier this week, that’s what Wren from Corridor Digital tweeted....
Apple responds to the open letter to Tim Cook about Final Cut Pro
A couple of weeks ago I was the first to publish An open letter to Tim Cook about Final...
Next Level Ken Burns Effects in Final Cut Pro
Today’s video solves two shortcomings when it comes to creating pans and zooms on stills and video clips in...
Useful Tools for Editors: NAB Happened This Year Edition
NAB happened this year. There were many different things to see. I wrote a bit about it in addition...
Color Management Part 6: Understanding the CIE 1931 diagram
In Part 5 we started to look at the CIE 1931 Chromaticity diagram, the distinctive rainbow tongue that pops...
Editors on Editing with “The Bad Guys” Editors John Venzon & Jesse Averna
On this weeks episode of the Editors on Editing podcast, Glenn talks with John Venzon & Jesse Averna about...
Automation in video production
Introduction Automation is one of the most important ways you can minimize or eliminate boring tasks from your day...
The Magic of Motion
Recently Iain Anderson posted a great article about Motion being every editor’s secret weapon. I agree whole-heartedly. If you...
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