Xiaomi 12 Pro: will the triple 50MP camera array become a standard?
With its triple 50MP master camera array with enhanced cinematography technology, the Xiaomi 12 Pro smartphone sets a possible...
ZY Optics redesigns the world’s first 50T1 Cine lens for PL mount
After almost a year since the announcement of a series of lenses for its cine lens line-up, Zhong Yi...
How open source technology is used in modern filmmaking
The new research paper from the Academy Software Foundation spans the evolution of open source technology in the modern...
2022 SXSW Film Festival: nine days of discovery
For nine days in March, creatives of all stripes gather for the acclaimed SXSW Film Festival program, announced as...
VEGAS Pro: new update includes support for Apple ProRes
New features to enhance color correction and visual effects workflows, as well as support for the popular Apple ProRes...
Laowa 7.5mm T2.9 Zero-D S35 Cine: the widest Super35 prime lens
The new Cine lens in the Laowa family offers a super broad unique-to-your-eye perspective, costs $699 and is available...
disguise promises better cloud-based workflows for broadcasters
By adding Polygon Labs to its award-winning workflow, disguise is ready to to better address user needs in the...
Marshall to introduce new PTZ camera at 2022 NAB Show
With a variety of low latency output options, the new high bandwidth NDI PTZ camera from Marshall debuting at...
Unreal Engine 5 Preview 1 is now available to try
If you’ve been eagerly awaiting a production-ready release of Unreal Engine 5 the time has come to install UE5...
Lightworks 2022.2 beta: a new end-to-end pro editing experience
The new version of Lightworks 2022.2 includes Apple ProRes certification, quick conversion import LUTs, redesigned 10-bit editing automated quality...
