Production
Red’s Jim Jannard shuts down failing Hydrogen Phone Project
So, nearly 3 years ago, I was one of those skeptical, yet still jazzed about Red’s announcements that they...
Production
DSC Charts keep my tests accurate and repeatable
As someone that tests a large amount of gear on a regular basis, one of the hardest issues...
Post Production
Cine Gear Atlanta 2019
In 2018, when the venerable Cine Gear show we all know and love in Los Angeles, decided to venture...
Featured
Blackmagic Design’s UltraStudio 4K Mini I/O is Built for the Demands of Production and Post
I have been patiently waiting for an affordable Thunderbolt 3 device that could handle the wide range of needs...
Post Production
Recapping IBC 2019
The IBC Show in Amsterdam is by far one of my favorite trade shows to attend. Like NAB in...
Post Production
DisplayPort 2.0 gives us some things to ponder
There was a June 26th announcement from VESA that Display Port 2.0 specs are now available and that the industry...
Production
Quick look: IBE Optics SmartfinderPro
I have been able to shoot with an incredibly wide range of cameras and optics during my career, but...
Post Production
Why everyone is talking about IP in Video
I spent my early years in Film and Television production during the transition from analog to digital. Beta had...
Production
TB3 to (eventually) become USB4
Last week, the USB Implementers Forum (USB-IF), the governing body for all things connected via USB, announced a number...
Production
Fujinon’s MK lenses paired with SLR Magic’s Anamorphot bring widescreen magic to low budget filmmaking
Last year, I got a peek at SLR Magic’s Anamorphot 65 add-on anamorphic adapter kit for Fujinon’s MK series...
