News
Blackmagic Announces New Teranex Mini SDI to DisplayPort 8K HDR
Blackmagic Design announced the Teranex Mini SDI to DisplayPort 8K HDR, an advanced 8K DisplayPort monitoring solution with dual...
Production
Cine Gear: P+S Technik Technovision Classic 1.5X Anamorphic Lenses
Anamorphic. The look. The “texture.” There are times when you cannot replicate what an anamorphic lens can deliver. The...
Production
Cine Gear: Zeiss Shows Off Supreme Prime Lenses and Talks Workshops
It was not all about the gear at the Zeiss booth on the Paramount lot during Cine Gear 2019....
Production
Cine Gear: Zero Optik’s Rainbow Super Baltar Lens
On day 2 of Cine Gear Zero Optik showed off a new lens at their booth. It was not...
Production
Cine Gear 2019: The Angenieux Optimo Prime Lenses
Drawing on over 80-years of Angenieux cinematic excellence the Optimo Primes are a very much long-awaited step forward in...
Production
Cine Gear: Fujifilm GFX100 Medium Format Camera with a 100MP Sensor
At Cine Gear 2019 we had the opportunity to meet the 100 Mega Pixel Fujifilm GFX100. This is not...
Production
Cine Gear: Panavision DXL-M. Smaller and Lighter 8K Camera
Smaller. Lighter. The Panavision DXL-M is designed to work with RED DSMC2 cameras. The DXL-M combines the quality and...
Production
Cine Gear: Panavision X Series Lenses. Made To Fly
Gearless? Smooth housing? LCD screen? You’d think these lenses were meant for flight. At Cine Gear 2019, we learned...
Production
Cine Gear: The Arri Alexa Mini LF and the Arri “Look”
The Arri booth seemed to always be full during Cine Gear 2019. Could it have been because many wanted...
Production
Cine Gear: Fujinon Premista 28-100mm and 80-250mm Zoom Lenses
At Cine Gear 2019 PVC not only got to see the Fujinon Premista 28-100mm Large Format Cinema Zoom in...
