Production
Cine Gear 2019: The Angenieux Optimo Prime Lenses
Drawing on over 80-years of Angenieux cinematic excellence the Optimo Primes are a very much long-awaited step forward in...
Production
Cine Gear: Fujifilm GFX100 Medium Format Camera with a 100MP Sensor
At Cine Gear 2019 we had the opportunity to meet the 100 Mega Pixel Fujifilm GFX100. This is not...
Production
Cine Gear: Panavision DXL-M. Smaller and Lighter 8K Camera
Smaller. Lighter. The Panavision DXL-M is designed to work with RED DSMC2 cameras. The DXL-M combines the quality and...
Production
Cine Gear: Panavision X Series Lenses. Made To Fly
Gearless? Smooth housing? LCD screen? You’d think these lenses were meant for flight. At Cine Gear 2019, we learned...
Production
Cine Gear: The Arri Alexa Mini LF and the Arri “Look”
The Arri booth seemed to always be full during Cine Gear 2019. Could it have been because many wanted...
Production
Cine Gear: Fujinon Premista 28-100mm and 80-250mm Zoom Lenses
At Cine Gear 2019 PVC not only got to see the Fujinon Premista 28-100mm Large Format Cinema Zoom in...
Production
Cine Gear: Panavision’s LCND. 1 Filter. 6 Stops of ND
During Cine Gear 2019 PVC took the time to visit with Panavision to learn more about their new LCND...
News
Panavision Liquid Crystal ND is 1 Filter with 6 Stops of ND.
Originally announced at Cine Gear 2018, the Panavision LCND (Liquid Crystal ND) is apparently now available, however, I bet...
News
Blackmagic Design Updates USRA Mini Pro G2 With Firmware 6.4
“General Improvements” is the heart of the new camera firmware 6.4 for the URSA Mini Pro G2. Of course,...
Production
The Sony Cyber-Shot DSC-RX0 II Digital Camera Review
The Sony Cyber-Shot DSC-RXO II Digital Camera looks like an action camera. The small size and the rugged build...
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