Tatiana Riegel, ACE just won the ACE Eddie for Best Edited Feature Comedy and has been nominated for this year’s Best Editing Oscar for her work on I, Tonya. Riegel’s previous nominations and awards include a 2009 Daytime Emmy nomination for Imaginary Bitches, and a 2008 ACE Eddie win for The Half Life of Timofey Berezin. […]
Read More… from ART OF THE CUT with Oscar nominee Tatiana Riegel, ACE
Alpha channels are the basis of digital compositing, but there are two different types – straight and premultiplied. Understanding the difference can make or break your composites – if the alpha channel is wrong, your composition will look wrong. This video is a refresher course on alpha channels that covers a broad range of topics. […]
Read More… from Alpha Channels: The good, the bad & the ugly
The new version 1.0 features added to the VENICE will include support for Full-Frame 24x36mm recording in time for the camera to ship. Continuing on listening to customer feedback into the camera’s development, Sony is announcing several new capabilities including a “Dual Base ISO” mode. With 15+ stops of exposure latitude, VENICE will support an […]
Read More… from Sony Adds Dual Base ISO To Their Soon To Ship VENICE
Adobe Premiere Pro has an unbelievably advanced set of keyboard shortcuts but many of those are unassigned. One of my favorites is the ability to move track patching and track selections up and down via a keyboard shortcut. These shortcuts to Move All Video and Audio Source and Targets Down and Up are not mapped anywhere by default. […]
Read More… from Day 3 #28daysofquicktips 2018 – Track patching with the keyboard in Premiere Pro
