Avid Editing

ART OF THE CUT with Oscar-winning editor, Richard Chew, ACE

ART OF THE CUT with Oscar-winning editor, Richard Chew, ACE

Oscar-winning editor, Richard Chew, ACE, has cut so many iconic films that I’ve been “hunting” him for a while, trying to get an interview. Having…

ART OF THE CUT with Oscar nominee Tatiana Riegel, ACE

ART OF THE CUT with Oscar nominee Tatiana Riegel, ACE

Tatiana Riegel, ACE just won the ACE Eddie for Best Edited Feature Comedy and has been nominated for this year’s Best Editing Oscar for her work on I…

ART OF THE CUT with the editors of “Detroit”

ART OF THE CUT with the editors of “Detroit”

Hopefully, for regular readers of Art of the Cut, there’s a lot to be learned from every interview. I feel this one is exceptionally valuable, mainly because, in addition…

ART OF THE CUT on Ridley Scott’s Alien: Covenant

ART OF THE CUT on Ridley Scott’s Alien: Covenant

Pietro Scalia has won two Best Editing Oscars, for his work on JFK and Black Hawk Down. He was also nominated for Gladiator and Good Will Hunting. Other films have…

ART OF THE CUT – Editing Wonder Woman

ART OF THE CUT – Editing Wonder Woman

Martin Walsh won an Oscar and an Eddie for Best Editing for Chicago (2002).   His editing credits go back to the mid-‘80s and include films like Bridget Jones’ Diary…

ART OF THE CUT on doc editing with Maya Mumma

ART OF THE CUT on doc editing with Maya Mumma

Maya Mumma has worked on numerous documentary projects including as an associate editor on Restrepo, and as an editor on Which Way Is the Front Line from Here? The Life…

My response to recent post-production articles making the internet rounds

My response to recent post-production articles making the internet rounds

The writers here at ProVideo Coalition have never hesitated to shy away from challenging another blog post that we take issue with. This happened to me a couple of times…

Get Started Fast with NewBlue Titler Pro for Media Composer—Episode 4

Get Started Fast with NewBlue Titler Pro for Media Composer—Episode 4

With the move to larger then HD projects, there have been some changes in Media Composer that editors need to get accustomed to, one of which is that we&#8217…

The Great NLE Debate and DaVinci Resolve

The Great NLE Debate and DaVinci Resolve

Which NLE is the right one for you? The Nashville Film Guild took the matter to a Presidential style debate. See which one fits in the of a so-called…

Titler Pro 4 for AVX – In-Depth

Titler Pro 4 for AVX – In-Depth

In this in-depth look at Titler Pro 4, we go under the hood to look at some features that might not be apparent right away, but will definately make…