On October 16, colorist Robbie Carman presented LOG and RAW workflows on the Ask a Video Pro Adobe webinar series. The session was excellent and the participants had lots of great comments and questions. So many questions, in fact, that I asked Robbie if he would be willing to write answers to some of the […]
Read More… from LOG and RAW workflows and the Adobe video tools
How does Final Cut Pro X fit into the visual effects workflow of a feature film? Quite comfortably, as we discover on this week's episode of MacBreak Studio, where I get the opportunity to speak with Mike Matzdorff who was the first assistant editor on a big-budget studio feature film using Final Cut Pro. Mike […]
Read More… from Visual Effects Workflow with Final Cut Pro X
You can view Adobe’s panel discussion with the editorial and post-production team behind the movie Gone Girl from director David Fincher. As you may have heard, the Fincher team leveraged Adobe Premiere Pro and After Effects in a workflow based on RED Dragon 6K raw footage files framed in 5K. My elderly neighbor, my dentist and my cleaning […]
Read More… from ‘Gone Girl’ workflows with Premiere & After Effects
Leading creative software developer, The Foundry, today unveiled NUKE 9, the biggest ever shake up of its NUKE technology, including the brand new addition of NUKE STUDIO. The offering brings powerful node-based VFX, Editorial and Finishing into a new single studio application, as well as provides core upgrades to the advanced compositing workflows of NUKE […]
Read More… from Introducing NUKE 9: The biggest evolution in NUKE’s history
You can view Adobe's panel discussion with the editorial and post-production team behind the movie Gone Girl from director David Fincher. As you may have heard, the Fincher team leveraged Adobe Premiere Pro and After Effects in a workflow based on RED Dragon 6K raw footage files framed in 5K. My elderly neighbor, my dentist and my cleaning […]
Read More… from Adobe ‘Gone Girl’ panel: Premiere & After Effects
When fans turn their attention to the large screens at sports’ biggest events, there’s a good chance that they’re watching the work of Van Wagner Big Screen Network Productions (VWBSN). Over the past three decades, Big Screen Network Productions established itself as the… […]
It was announced at IBC and shipped at Adobe MAX (I wonder if this will become the norm?) and it’s another big update to Adobe Premiere Pro. We dissected the features when this update was announced but now that we’ve had the chance to work with it we can dig in a bit deeper. I’d […]
Read More… from Kicking the Tires on the Adobe Premiere Pro CC 2014.1 Update
