Irix Cine 150mm T 3.0 Macro 1:1 lens: the first in a new line of full frame lenses
Irix said it from the very beginning: our intention was to provide the cinematographers with the most advanced and...
Irix Cine 150mm T3.0 Macro 1:1: a new lens opens a Cinema line ready for 8K
It’s a curious choice for a lens dedicated to movie shooting. The Irix Cine 150mm T3.0 Macro 1:1, now...
Panasonic LUMIX GX880: an interesting entry-level Micro Four Thirds camera
The LUMIX GX880, now announced in Europe, is a new MFT interchangeable lens system camera from Panasonic, able to...
NAB 2019: 8K
NAB 2019 marked the point where — without any particular fanfare — 8K television moved from a gee-whiz technology...
Olympus OM-D E-M1X: a BIG camera for action photographers
The next Micro Four Thirds camera from Olympus will arrive January 24. It’s, apparently, designed for sports photographers, is...
A decade of Lumix G and why Panasonic will continue with Micro Four Thirds
When the Lumix G1 was launched, in 2008, I immediately bought one. I believed in the system and Panasonic’s...
Venus Optics shows four new Laowa Cine lenses at Photokina 2018
The Laowa OOOM 25-100 T/2.9 Professional Cine Lens is one of the highlights of Venus Optic’s booth at Photokina....
Panasonic LUMIX GH5S: one camera, a thousand opinions
Whichever way you look at it, the LUMIX GH5S is a miracle. While it may not be as good...
Panasonic will preview mystery camera at Cine Gear Expo
The mysterious camera from Panasonic will be revealed to the world June 2, at the Paramount Theater, during an...
The triumph of the SLR shape
It’s ironic that the shape so many said was outdated is the one that prevails, after different camera makers...
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Post Production
IBC Day 3: The unchanging eyeball
Production
