M.Zuiko Digital ED 12-45mm F4.0 PRO: a compact, take anywhere lens
Olympus announced the ultimate compact, lightweight, high-resolution M.Zuiko Pro lens, a 12-45mm or 24-90 35mm equivalent which is a...
Panasonic LUMIX S1H videocentric camera: live announcement today
The new Panasonic LUMIX S1H, the world’s first camera capable of video recording at 6K/24p, offers professional cinema quality...
Irix Cine 150mm T 3.0 Macro 1:1 lens: the first in a new line of full frame lenses
Irix said it from the very beginning: our intention was to provide the cinematographers with the most advanced and...
Irix Cine 150mm T3.0 Macro 1:1: a new lens opens a Cinema line ready for 8K
It’s a curious choice for a lens dedicated to movie shooting. The Irix Cine 150mm T3.0 Macro 1:1, now...
Panasonic LUMIX GX880: an interesting entry-level Micro Four Thirds camera
The LUMIX GX880, now announced in Europe, is a new MFT interchangeable lens system camera from Panasonic, able to...
NAB 2019: 8K
NAB 2019 marked the point where — without any particular fanfare — 8K television moved from a gee-whiz technology...
Olympus OM-D E-M1X: a BIG camera for action photographers
The next Micro Four Thirds camera from Olympus will arrive January 24. It’s, apparently, designed for sports photographers, is...
A decade of Lumix G and why Panasonic will continue with Micro Four Thirds
When the Lumix G1 was launched, in 2008, I immediately bought one. I believed in the system and Panasonic’s...
Venus Optics shows four new Laowa Cine lenses at Photokina 2018
The Laowa OOOM 25-100 T/2.9 Professional Cine Lens is one of the highlights of Venus Optic’s booth at Photokina....
Panasonic LUMIX GH5S: one camera, a thousand opinions
Whichever way you look at it, the LUMIX GH5S is a miracle. While it may not be as good...
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