location sound mixing

On-Set Audio-28 Weeks of Post Audio-Week 27

On-Set Audio-28 Weeks of Post Audio-Week 27

Props Film shoots use a wide variety of props that are either bought, rented or created for specific storytelling purposes. Make the effort to record them as separate elements if…

PVC at AES 2014 – Exclusive Info About the DR-60D from Tascam

Improving location audio is one of the simplest ways to greatly enhance the overall quality of your productions. Exceptional digital audio recorders have dropped drastically in price in recent years…

PVC at AES 2014 – Exciting New Products from Lectrosonics

The Audio Engineering Society (AES) had their 137th International Convention this past week in Los Angeles and I had the opportunity to speak on-camera with a number of companies…

Review: Tascam iXJ2 preamp/A>D enables dual-mic/2-channel opportunities for iOS mediography

Review: Tascam iXJ2 preamp/A>D enables dual-mic/2-channel opportunities for iOS mediography

Although the Tascam iXJ2 preamp/A>D is officially discontinued, fortunately it is still available (for now). Ahead you’ll discover why the iXJ2 is a unique enabler for…

Pre-Production Audio For Post Production Sound

Pre-Production Audio For Post Production Sound

Pre-production is a busy time for a filmmaker.  Meeting and hiring cast and crew, securing locations, making budgets, contracts and deals, writing final script tweaks and a thousand…

Don’t Just Get The Shot

Don’t Just Get The Shot

Filmmakers often ask what they can do to make their projects sound better.  They are all looking for that one great tip and expecting an awe-inspiring “aha!” insight…