LED is King at Cine Gear Expo 2015
LED lights come in different shapes and styles, but after a period of interest for the panel shaped models,...
The Sensation of White: Why I Set Zebras for 90% White Instead of White Clip
The days of setting exposure with zebras set at white clip are most likely over. Here’s a new technique...
TLCI and Camera Color: What a Difference a Prism Block Makes
TLCI’s developer says prism cameras and single sensor cameras respond to color in the same way. Thanks to Panasonic,...
Zylight Contest Encourages NAB 2015 Attendees to ‘Spread the Newz’ about New On-Camera Light
To celebrate the U.S. debut of its Newz on-camera light, premium LED lighting manufacturer Zylight is encouraging attendees at...
The TLCI Color Rendering Index: Does It Really Work? Color Me Skeptical
CRI is meaningless when it comes to measuring LED or fluorescent lights. TLCI hopes to replace CRI in the...
Zylight Demonstrates LED Lighting Options at CABSAT 2015
Zylight, a leading manufacturer of innovative, premium LED lighting solutions, will showcase its current product line at CABSAT 2015...
Helpful Ways for Cinematographers to Get a Grip on Lighting Part 4
Lighting is an evolving art form. Not only does technique change and advance but so does the technology of...
Helpful Ways for Cinematographers to Get a Grip on Lighting Part 3
Here we are in Part III of our series, Lighting Tips for Cinematographers. To recap, in part 1 I...
Helpful Ways for Cinematographers to Get a Grip on Lighting Part 2
The last post we talked about how to get a proper initial setting when lighting your subject/foreground and background....
Helpful Ways for Cinematographers to Get a Grip on Lighting
I spent the 1st half of this year releasing two films, a feature length documentary and a short film...
