Panasonic Delivers First 4K/60P Camera among Broadcast-Grade PTZs
The new Panasonic AW-UE150 4K/60p pan/tilt/zoom camera and its companion AW-RP150 remote controller has been released. The UE150 features UHD...
Lens coverage, sensor size, and pushing the limits
Sensors and lenses don’t always get along. In the HDR and UHD world, it’s important to test, test, test....
Signature Primes vs. Ultra Primes: The Pixel-Peeper’s Guide
For nine months I’ve been working periodically as a trainer for the ARRI Academy. Recently we added an Alexa...
Casting the look of a camera into glass
Recently I had the pleasure of meeting with ARRI’s senior color designer, and I asked him the question I...
Blackmagic Design eGPU Shooter’s Review
I do not care how the Blackmagic Design eGPU looks. I do not care how it works. I only...
Large sensor lens coverage: taking old glass to the “breaking” point
Old glass and large sensors need a lot of testing. The results may surprise you. In this article I...
Blackmagic’s New eGPU Is A Hurdle Leaped For Creatives (commentary)
Yes, the news about Blackmagic Design’s new eGPU, a high-performance graphics processor, has already been posted on PVC by...
Setting up your on-set monitor: what to look for, and what to avoid
A few years ago, when high quality LCD monitors didn’t exist, I found myself in the wonderful position of...
Your camera MAY have a color gamut: further musings on camera color pipelines
My last article resulted in some new input on color gamuts. Here’s what I think I know now. Before...
Your camera does not have a color gamut
Yes, it’s true: your camera has no color gamut. Don’t believe me? Good, ’cause I’m going to try to...