Featuring interchangeable PL, Canon EF and Sony E mounts for the needs of different camera users, the Nitecore Superior Prime family of full frame...

Saturday saw a panel session on “The Future in High Dynamic Range – Are You Ready?” as part of the “Future of Cinema” conference...

On​ ​September​ ​14th,​ ​the​ ​new​ ​Super35​ ​EVA-1​ ​from​ ​Panasonic​ ​was​ ​presented​ ​for​ ​evaluation​ ​at the​ ​Academy​ ​of​ ​Motion​ ​Picture​ ​Arts​ ​and​ ​Sciences,​ ​along​ ​with​...

At NAB 2017, JVC Professional Video just announced the free version 4.0 firmware upgrade for its GY-LS300CH 4KCAM Super 35mm handheld camcorder. This update...

Filmtools recently sat down with Michael Frediani, SOC to discuss his nearly 30 year long career as a camera operator. In the ensuing interview, former...

At Cine Gear 2016 P+S Technik added a second Cinemascope lens to their repertoire. The New 70-200mm anamorphic zoom will compliment their original anamorphic...

Feature film: first day. The crew and I start to run out of things to prepare; the director is 45 minutes late, despite the...

Last Monday, April 18, an hour before NAB 2016 opened, Craft Camera’s website started taking reservations on a new, modular camera system, offering Super16mm...

In this article, I felt it was important to explain the differences between shooting for motion as opposed to still since videography – filmmaking if you...

It’s no understatement, the Blackmagic URSA is a “husky” camera. Some could even say it needs to go on a diet, but should all...