The Premista Motor Bracket Kit from Duclos Lenses
Duclos Lenses is introducing the Premista Motor Bracket Kit designed and manufactured specifically for Fujinon’s latest 28-100mm and 80-250mm...
Nitecore Superior Prime: a completely new line of Cinema lenses
Featuring interchangeable PL, Canon EF and Sony E mounts for the needs of different camera users, the Nitecore Superior...
NAB panel: The Future of HDR in Cinema
Saturday saw a panel session on “The Future in High Dynamic Range – Are You Ready?” as part of...
An Exclusive Look at the New EVA-1 from Panasonic
On September 14th, the new Super35 EVA-1 from Panasonic was presented for evaluation at the Academy of Motion Picture...
JVC GY-LS300 adds 4:2:2 internal 4K recording
At NAB 2017, JVC Professional Video just announced the free version 4.0 firmware upgrade for its GY-LS300CH 4KCAM Super...
A Conversation with Michael Frediani, SOC
Filmtools recently sat down with Michael Frediani, SOC to discuss his nearly 30 year long career as a camera operator....
P+S Technik Announces 70-200 1.5x Anamorphic Zoom Lens
At Cine Gear 2016 P+S Technik added a second Cinemascope lens to their repertoire. The New 70-200mm anamorphic zoom...
Blocking Before Coffee
Feature film: first day. The crew and I start to run out of things to prepare; the director is...
Lost in NAB’s noise: Craft camera
Last Monday, April 18, an hour before NAB 2016 opened, Craft Camera’s website started taking reservations on a new,...
From Photography To Video Part 3: Frame Rate, Shutter Speed and the Moving Image
In this article, I felt it was important to explain the differences between shooting for motion as opposed to...
