Nashville Filmmakers Guild’s Camera Debate
Investing into a camera system is one helluva a commitment. Yes, you can rent, but what should you rent and...
Autocue iPad Teleprompter Review
4K, URSA Minis, Red Weapons, Vintage Lenses, and much more are inspiring pieces of gear which may help us...
Seven Steps for Lighting a Scene from Barry Andersson
Barry Andersson has written for PVC before, as well as putting on a few webinars, and now he is taking...
Definitive Guide to Editing With DaVinci Resolve Released
Blackmagic releases the official hands-on guide to editing with DaVinci Resolve 12.5. DaVinci Resolve, arguably one of the most...
Blackmagic 4K Video Assist Review
I’ll make this quick. The Blackmagic 4K Video Assist is damn useful for URSA Mini shooters if only for...
“Too Much Headroom!” The Joy of “Unconventional” Compositions
I’m a huge fan of the TV series Mr. Robot. Not only does it have one of the deepest and...
Blackmagic URSA Mini 4.0 UI/OS Officially Released
Overnight Blackmagic Design released the new user interface and operation system for the URSA Mini out of Beta. Firmware...
Art of the Shot: Richard Crudo, ASC
Welcome to the inaugural “Art of the Shot” interview series. It seems fitting to me the leadoff hitter for...
VariCam Shorts Festival, Oct 20 in L.A.
Panasonic is holding a free screening of shorts shot on the VariCam 35 and VariCam LT 4K digital cinema cameras...
Blackmagic’s Micro Cinema Camera Captures POVs for Mountain Dew
It’s a small camera. It has interchangeable lenses. It can record 12-bit raw or 10-bit ProRes files. The Blackmagic...