Panasonic’s 5.7K AU-EVA1 Camera Tech Specs and Pricing Announced
We are now able to see every ounce of technical detail in the much anticipated Panasonic AU-EVA1 Compact Cinema...
Pond5 enters partnership with NPACT
Independent non-fiction producers looking for ways to access a global market have a new shortcut, through the agreement signed...
cineSync goes 64-bit
The move to 64-bit allows cineSync to take full advantage of all available system memory, a starting point for...
Zephyr Drone Flight Training Review by Little Arms Studios
Pressure. It can be corrosive especially if the pressure you feel is from flying a good portion of your...
CREATING YOUR OWN DCP’S – MEDIA COMPOSER SETUP
In our introductory article, I tried to get you thinking about the journey you’re about to go on, when...
This Art Of The Shot: “13 Reasons Why” Director of Photography Andrij Parekh
Andrij Parekh is an NYU’s Tisch School of the Arts (MFA in 2001) trained cinematographer. It was there that...
Matt MacDonald: How I created a film using a video game
Since its launch, the video game Grand Theft Auto V has been the base for cinematographers exploring its potential...
Panasonic’s combo for 4K acquisition
Panasonic’s compact field recorder AG-UMR20 and companion AG-UCK20 4K camera head, form a portable unit ideal for multiple applications...
Shutterstock: 4K submissions are growing
The market for 4K video is growing and Shutterstock rapidly adapted to the needs of creators and clients. The...
Atomos Sumo: sooner than you thought
The first production monitor that also records 4K 12bit Raw, 10bit ProRes/DNxHR, plus 1080p60 live switching and recording, the...
