Panasonic Lumix GH5 goes 4:2:2/10-bit/24-bit internal recording and more
Panasonic has finally announced the specs of the Lumix GH5, and for those who pay attention to this type...
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Android vs iOS: a mediographer’s dilemma 2016.12
A question I often get is: Which is better for mediographers or mobile journalists: an Android or iOS device?...
Mobile journalism and mediography update & buyer’s guide: 2016.12
Whether you prefer the Android or the iOS platform (iPad/iPhone/iPod Touch), mobile journalism and mediography keeps getting stronger. This...
Why Shure’s own 545 palindromic mic beats the SM57 nowadays
Six years before Shure released the ubiquitous SM57 dynamic microphone in 1965, the company began to sell its palindromic...
How I interviewed presidential candidate Gary Johnson with a digital mic from Italy
Last week, I had the pleasure and honor of conducting a brief, in-field interview with US presidential candidate Gary...
Review: iKlip A/V mount/grip/pre-preamp for smartphones & small cameras
After my recent “first look”, here is the review of IK Multimedia’s iKlip A/V preamp/mount/grip for smartphones & small...
Advantages to recording mono, even for a stereo show
As I have shown in many past articles, there are many mono (i.e. non-stereo) digital mics that can be...
Multitrack audio for best control later, versus live mix
In field production or in the studio, ideally, we record every audio source on its own track for absolute...
First look: iKlip A/V preamp/mount/grip for smartphones & small cameras
I have covered mounts and grips before (iOgrapher and The Padcaster). I have reviewed many audio preamps to connect...
Review: Senal ENG-18RL dynamic interview microphone
Omnidirectional dynamic microphones with balanced XLR connections remain the first choice for most ENG (electronic news gathering) organizations to...
