As with many folk in the film industry, the absence of Nvidia options from Apple’s line of laptops forced...

Ugly, huge and strange, the new ZEISS ZX1 is the first camera in the world to come with a...

How do you make “the best” even better.  Now, I know that saying something is “the best” can be...

I recently completed a feature-length documentary edit using Adobe Premiere Pro CC 2018 (12.1.2), and we had zero* crashes...

Recently in After Effects there’s news on the how pro users leverage Creative Cloud apps, approaches to creativity and...

Neil Meiklejohn is a documentary film editor who edited the documentaries Long Live Benjamin,and The Battered Bastards of Baseball....

There hasn’t been any shortage of articles, coverage, and content of the editing and post-production of Mission Impossible: Fallout...

While visiting Sydney earlier this year, I had a good long chat with Den Lennie about the challenges of...

More likely than not, an Art of the Cut interview with Brent White, ACE, would probably be about editing...

Cinema Grade is a new color grading plug-in for Adobe Premiere Pro, Final Cut Pro X and DaVinci Resolve that utilizes...

Last week in After Effects brought news on the 2018 release of Creative Cloud 2019, a FREE sphere/planet filter from...

Developed by Hedge, Canister is a Mac app that fully supports LTFS, guarantees data on the tape is accessible...

In BeyondPodcasting episode 9, Allan Tépper covers his favorite multitrack editor for audio storytellers, Hindenburg Journalist Pro. His remote...

Just two weeks ago I looked at how globe animations had evolved between 1997 and 2010 – and now...