Small Camera, Big Picture – Producing a Dream with the Sony a6300
After Effects Bootcamp for Avid Editors – Part 2
If you’re a Media Composer editor looking to add Adobe After Effects to your editing toolkit, part two of this two...
King Crimson’s Radical Action: A Fresh Approach to Live Concert Videos
The art of the live concert video has evolved over the years alongside technology, from film cameras on tripods...
ART OF THE CUT editing Best Picture nominee “LION”
Alexandre De Franceschi, ASE (Australian Screen Editors) has been an editor for more than 30 years, cutting over a...
After Effects Bootcamp for Avid Editors – Part 1
If you’re a Media Composer editor looking to add After Effects to your editing toolkit, this first of a...
Get Started Fast with Media Composer for Adobe Editors — Part 5
This tutorial series is designed for Premiere Editors to get a quick look at the important, fundamental differences in...
Let’s Edit with Media Composer – What’s New in 8.8
In this lesson, Kevin P McAuliffe talks about the newest features in version 8.8 of Avid Media Composer, including...
Creating custom camera archives in Final Cut Pro X
https://www.youtube.com/watch?v=CFuo6VChLvY&feature=youtu.be We are back after a short break! This week on MacBreak Studio, Steve Martin from Ripple Training shows us...
ART OF THE CUT with the editors of “Westworld”
Today’s Art of the Cut is with the editing team behind the critically acclaimed HBO series Westworld. Discussing their...
Hindenburg Journalist on sale for under US$2
As you have probably noticed, I have published several articles about Hindenburg Journalist (Pro), and I also mention it...
ART OF THE CUT with Oscar Nominee Chris Tellefsen, ACE
Chris Tellefsen, ACE, has more than 30 credits as an editor, including The People vs. Larry Flynt, Flirting with Disaster,...
Serving the Technical and Creative Needs of Production and Post Professionals with the Avid NEXIS | PRO
The ways in which technology has changed and impacted professionals in media & entertainment are as apparent as they...
Let’s Edit with Media Composer – Sorenson Squeeze Integration
In this lesson, Kevin P McAuliffe answers a great viewer question about Sorenson Squeeze, and how it can interact...
ART OF THE CUT with Oscar Nominated “Moonlight” editor Joi McMillon
Today Art of the Cut speaks with Joi McMillon who was recently nominated for an Oscar for Best Editing...
Windows ProRes: First Impression
I’ve missed ProRes. I’m used to jumping between Mac and Windows, and I often say that once I’m in...