With articles like The Best Sony for Video and LUT Tricks for the Sony FS7/F5/F55, it’s no secret that...

Rhys Thomas and Adam Epstein have worked together for years on the short films for the Saturday Night Live...

Gnarbox is the little baby of a team that dreamed of having a way to share content with a...

On this installment of Art of the Cut, Sidney Wolinsky talks about cutting some of the top TV shows...

In this lesson, Kevin P McAuliffe continues his in-depth look at Transcoding in Avid Media Composer.  Now that we’ve...

Feedback from users was the basis for the new prices of the Blackmagic Studio Camera. Many customers do not...

Not long ago I was interviewed for the online show Digital Production Buzz. The show is now live, and...

Conceived to put the true power of previsualization in the hands of filmmakers, directors, DP’s and storyboard artists, wherever...

The age of fixed feature lists in professional cameras has yielded to the era of free firmware upgrade paths....

Figuring out how content creators can and should approach storytelling in a virtual environment is something I’ve explored in...

After much experimentation, and a bit of failed hacking, I’ve come up with a good full-range Cine-EI LUT for...

For a limited time, Sony is offering new F55 production bundles with the CBK-55PD codec board pre-installed, which adds...

It’s been a busy week for affordable cine primes, with the Samyang XEENs announced Monday and Veydra’s announcement today...

Bumper. Chopper. Sweeper. No, they’re not kickboxing moves, they’re sound effects. Just like film editors have terms like ‘dissolve’...