Naomi Geraghty has been working as a film and TV editor for nearly 20 years. Her work includes TV...

The new Sigma 28mm T1.5 Full-Frame Cine Lens, will be available in mid March 2019, in two versions: regular...

What do Blade Runner 2049, The Avengers: Infinity War, Ready Player One, and Black Panther have in common? They...

A new camera profile for the video-centric Nikon Z6 mirrorless camera comes from FilmConvert, and the company is now...

Officially announced today, the new version of HitFilm Pro is not just an update. FXhome’s ambitious upgrade features a...

RadioPublic just announced its Podsite service, specifically targeted for a particular group of podcasters. Podsite websites are not promoted...

Ashe ’68 takes us back to one of America’s most tumultuous years. The Ashe ’68 VR Impact Tour aims...

Spreaker Studio for desktop (Mac/Windows) packs a lot of power, allowing multiple local mic inputs, virtual carts, ducking and...

Blackmagic Design today released a small but always appreciated update to DaVinci Resolve 15.2.4 update. The improvements include support...

The ASC logotype on the top plate, the PL-mount cine lenses, the Cine Looks and aspect ratio options, all...

Black Shade Calibration on RED cameras ensures clean and consistent pixel sensitivity across your entire image. A new RED...

Produced in partnership with SMPTE, the FoCC at NAB 2019, titled “Now, Next, and Beyond the Yellow Brick Road”...

Recovery Pro, is one tool for recovering multiple file types, photo and motion, from different cameras from Canon, DJI,...

This effect was long one of our secret weapons in Adobe After Effects to create looks like our “instant...