We are just a couple of months past NAB 2026 and DaVinci Resolve 21, which was released as a...

Designed to extend the capabilities of the VENICE 2 platform, the new RIALTO 65,  now in development, is planned...

Perfectly sized for streamlined DIT and DP workflows, OLED 16 gives you infinite contrast, true blacks, and precise color reproduction with...

Atomos will be demonstrating, at Cine Gear Expo, the Sumo PRO-19 monitor working with Fujifilm’s new ETERNA 55 filmmaking...

Every so often, the BBC proudly puts out a press release that it has found a long-lost episode of...

One of the first reactions editors have when entering Color Mode in Adobe Premiere is confusion. The timeline—the structure...

The new modular SNAPBAG for Vortex2 comes with SNAPGRID and SNAPCLOTH diffusion options designed for both single and dual-fixture...

Cine Gear Expo has announced the recipients of its 2026 Awards of Excellence, honoring three of the cinematography industry’s...

In this episode of Editors on Editing, Glenn Garland is joined by editors James Seddon-Brown, David Moon and  Matthew...

A Nikon Group company, RED will be at Cine Gear Expo with interactive demos showcasing the V-RAPTOR XE, RED...

Welcome to Tool Tip Tuesday for Adobe Premiere Pro on ProVideo Coalition. Offline media can be a big frustration when working...

Designed to complement the unique creative capabilities of RuPixel’s individually addressable pixel arrays, the Airglow 8×2 Frame is a...

Engineered for professional filmmaking applications, the new Zone T1 Cine Series features an ultra-fast T1 aperture designed to deliver...

The new ZEISS Horizon Anamorphic introduce a new lens technology platform that answers the need for speed and precision...