A Nikon Group company, RED will be at Cine Gear Expo with interactive demos showcasing the V-RAPTOR XE, RED Cine-Broadcast, and RED Connect and demonstrations of in-camera grading on the latest RED cameras.

RED DIGITAL CINEMA returns to Cine Gear Expo to showcase visionary filmmakers and innovators in cinematic live events, along with hands-on demonstrations of its latest cameras and product innovations. Ahead of the event, the company shared information about its plans for the weekend in LA.

RED’s premier panel lineup features a conversation with renowned cinematographer M. David Mullen, ASC, and a discussion with standout indie voices including filmmakers Warwick Thornton, ACS, Meera Menon and Paul Gleason. RED will also host a session with live‑production innovators Stefaan “Smasher” Desmedt, and Fabrice Lorenceau exploring the evolving craft, technology, and real‑time storytelling shaping modern filmmaking.

Details on each panel are as follows:

Shoot to Create: The Craft of Independent Filmmaking
Friday, June 5: 3:45-4:35 pm

Independent cinema thrives on ingenuity, resourcefulness, and a relentless commitment to story. Shoot to Create will break down how filmmakers shape visual language through intentional framing, lighting, and movement; how they collaborate with small but mighty crews; and how they turn constraints into creative power. A dynamic, inside-the-process look at how indie filmmakers craft bold, personal, and unforgettable films from the ground up. Panelists include filmmaker Warwick Thornton, ACS (“The New Boy”), “Didn’t Die” Director-Writer Meera Menon and Cinematographer-Writer Paul Gleason, with moderator Naida Albright.

How Cinematic & Immersive Technologies Are Redefining Live Events
Friday, June 5: 4:45-5:35 pm

Live events are being reimagined. From global music festivals to major events, cinema‑grade cameras and immersive technologies are transforming how audiences experience entertainment—whether in the venue or watching from across the world. This session brings leaders in live production, immersive media, and event cinematography together to discuss the large‑format cameras, precision motion systems, and emerging platforms putting viewers inside the action, and the creative and technical choices that make it all work at scale. Attendees will gain candid insight into real‑world workflows, the pressure of live production, and the rapidly rising expectations across venues, broadcasts, and immersive experiences. Panelists include Stefaan “Smasher” Desmedt of Fuse Technical Group and Fabrice Lorenceau, COSM vice president and head of live production.

Behind the Look: Live with M. David Mullen, ASC
Saturday, June 6: 3:15-4:05 pm

Multi‑Emmy and ASC Award-winning cinematographer M. David Mullen, ASC, is known for his visually distinctive television work on “The Marvelous Mrs. Maisel,” “Étoile,” “Smash,” “Big Love,” “United States of Tara” and the upcoming “Eloise.” He earned Independent Spirit Award nominations for “Twin Falls Idaho” and “Northfork,” and his feature credits include “The Astronaut Farmer,” “Akeelah and the Bee” and “Jennifer’s Body,” among others. Mullen brings a perspective shaped by film history, expanding technology and a commitment to finding the right tools for each story. Dedicated to the collaborative process, he will highlight his approach and dive into how he continues to create emotionally resonant, visually driven work.

Now Playing at the RED Booth (33)
Expo-goers can head to RED’s booth for interactive demos showcasing the V-RAPTOR XE, RED Cine-Broadcast, and RED Connect in a special collaboration with Iodyne, along with an exclusive Phantom Track demo. Also on display will be the latest updates from cMotion and Preston, featuring camera control and data injection innovations alongside unique applications including Z Mount lens control. For those looking to explore the new Nikon ZR, the booth offers a hands-on opportunity with the newest member of the Z Cinema lineup.

Pomfort will be on hand at the RED booth, debuting upcoming Livegrade 7.2 features, including live demonstrations of in-camera grading on the latest RED cameras.