Gary Adcock is a technology-driven synergist in acquisition, editing and delivery of the advanced workflows required for Media and Entertainment. A Technologist in defense and manufacturing, as well as an established Executive Producer, Director and Cinematographer. Gary offers developmental insights into all aspects of our continually changing Pre-production, Post and Production marketplace while focusing on advancing cine product development, international branding and market penetration in Media and Entertainment.

You can reach Gary on Twitter at @garyadcock or via his blog at garyadcock.com.

As FCPX turns 7, Apple gives us ProRes Raw, but what’s really changed?

As FCPX turns 7, Apple gives us ProRes Raw, but what’s really changed?

Seven years ago we heralded in a new version of Apple’s venerable video editing app, FCPX. As a leader in the FCP community and an enthusiastic Final Cut Pro…

LaCie 12big  Thunderbolt 3 RAID Review

LaCie 12big Thunderbolt 3 RAID Review

Now that Apple has finally joined HP, Dell, MSI, Asus and others as part of the Thunderbolt 3 generation, the time has come to start discussing the devices and interconnectivity…

The Wireless Camera: Color and Control

The Wireless Camera: Color and Control

As production advances faster and faster towards the future, maintaining control and continuity of your image on set and in post is essential. Live color grading and advanced image management…

ProRes: A Closer Look

The largest issue in post production is maintaining the highest quality for compositing, graphics, effects and delivery; whether that content is used in broadcast, theatrical or direct to DVD release…