Gary Adcock is a technology-driven synergist in acquisition, editing and delivery of the advanced workflows required for Media and Entertainment. A Technologist in defense and manufacturing, as well as an established Executive Producer, Director and Cinematographer. Gary offers developmental insights into all aspects of our continually changing Pre-production, Post and Production marketplace while focusing on advancing cine product development, international branding and market penetration in Media and Entertainment.

You can reach Gary on Twitter at @garyadcock or via his blog at garyadcock.com.

Hands on with the Hydrogen One – RED’s gamble for mobile filmmakers

Hands on with the Hydrogen One – RED’s gamble for mobile filmmakers

I remember playing with a couple of the RED One cameras and dealing with the myriads of issues when that camera was still in its infancy. I also remember only…

A Closer Look at the Thunderbolt3 Io 4K Plus from AJA

A Closer Look at the Thunderbolt3 Io 4K Plus from AJA

During my recent look at ProRes Raw here on PVC, I was also given a chance to take AJA’s latest I/O device, the $2495.00 Io 4K Plus…

Blackmagic eGPU – What is it really going to do for me?

Blackmagic eGPU – What is it really going to do for me?

$699.00  Only available at the Apple Store. When Blackmagic Design’s newly released eGPU landed at my office for review, I did something I don’t get to do…

Thunderbolt3 Driving the Varicam Forward

Thunderbolt3 Driving the Varicam Forward

For a recent test project, I was offered a chance to use one of Panasonic’s Varicam LT’s to shoot with, so as an old Panasonic guy, I leaped…

As FCPX turns 7, Apple gives us ProRes Raw, but what’s really changed?

As FCPX turns 7, Apple gives us ProRes Raw, but what’s really changed?

Seven years ago we heralded in a new version of Apple’s venerable video editing app, FCPX. As a leader in the FCP community and an enthusiastic Final Cut Pro…

LaCie 12big  Thunderbolt 3 RAID Review

LaCie 12big Thunderbolt 3 RAID Review

Now that Apple has finally joined HP, Dell, MSI, Asus and others as part of the Thunderbolt 3 generation, the time has come to start discussing the devices and interconnectivity…

The Wireless Camera: Color and Control

The Wireless Camera: Color and Control

As production advances faster and faster towards the future, maintaining control and continuity of your image on set and in post is essential. Live color grading and advanced image management…

ProRes: A Closer Look

The largest issue in post production is maintaining the highest quality for compositing, graphics, effects and delivery; whether that content is used in broadcast, theatrical or direct to DVD release…